Writer to rescue Heroes
We’ll be straight with you, The Scribbler is not a fan of the current craze of American television shows saturating our beloved Beeb and other channels.
Shows like Lost seem to ramble on endlessly purely for that fact, because an endless plot and a forever unraveling storyline means an ever engaged audience. These are commercial gravy trains would appear to be coming off the rails though.
The superhero series has been hemorrhaging viewers since the start of the second season.
Talking to Entertainment Weekly Fuller said: “My job is to help facilitate the vision of the show, and the vision has been a little inconsistent.”
“But Fugitives (the next arc) is such a great sea change. I think people who have been critical of Heroes will come back.”
The drama’s original writer believes drastic measures are in order to attract fans back, though those measures are somewhat questionable in our book.
“People will die. And some will return. Matt’s wife (Janice) comes back. We’ll find out what happens when you have a superbaby.”
As for why Heroes found itself out of favour with fans, Fuller has his own theories: “It became too dense and fell into certain sci-fi trappings.
“For instance, in the Villains arc, when you talk about formulas and catalysts, it takes the face off the drama.
“You have to save something with a face, otherwise you don’t understand what you’re caring about. We’re also altering the structure so that there’s a very clear A story.”
So basically Heroes is in line for a spot of dumbing down then?
“But it is a big ship, it’s going to take a little while to turn it.”
Part of the reason The Scribbler isn’t a fan of shows like Lost and Heroes is their lazy use of the English language. Scriptwriting 101: Use as few words as possible to say as much as possible, this is how people really talk. People don’t describe every single thing they are doing, even if there have got a few subplots going on elsewhere. The below clip from the incredible police drama The Wire proves our point exactly.
What are your favourite examples of screenplay writing? Are you a fan of any the American television-cum-Hollywood shows and why? Are you penning your own ‘high production value’ television drama? Care to share?
Words: Dean Samways