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Posts Tagged ‘Editor

…and the Guardian first book award goes to…

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Alex Ross, winner of this years Guardian first book award (Guardian)

Alex Ross, winner of this years Guardian first book award (Guardian)

The Rest is Noise by Alex Ross was named this year’s Guardian first book at a ceremony in central London last night.

The overwhelmingly in-depth history of 20th century music, embracing classical through to contemporary, was the undisputed winner of the £10 000 first prize.

Chair of the judging panel, Guardian literary editor Claire Armitstead, said: “In some quarters this book has been seen as not having a popular appeal. Our prize – which, uniquely, relies on readers’ groups in the early stages of judging – proves that, on the contrary, there is a huge appetite among readers for clear, serious but accessible books.”

Another judge said: “Where Ross lifts his book above the ‘expert’ and impressive to the ‘good read’ category is in the way he wears his learning lightly, never clutches for false or contrived ways of explaining music, and never dumbs down in order to explain.”

Waterstone’s reading groups up and down the country also helped with the judging process. One member said: “Every time I felt overwhelmed by the technicalities, along came a sublime metaphor or simile that would light up the prose.”

The Guardian’s website describes Ross’ book as ‘a lifetime’s enthusiasm and learning distilled into a rich narrative of musical history, setting the works of Mahler, Schoenberg, John Cage and the rest into their cultural and political contexts – but also giving a vivid sense of what the music he describes actually sounds and feels like’.

It goes on to say: “Of all the artforms, modern and contemporary classical music is often seen as the most rebarbative. Ross brushes aside the mythology of 20th-century music’s “inaccessibility” as he charts its meandering histories. Along the way, fascinating connections are made: hip-hop has more in common with Janacek than you might think; Arnold Schoenberg and George Gershwin were tennis partners; Gershwin, in turn, was an ardent fan of Alban Berg and kept an autographed photo of the composer of Lulu in his apartment. If there is an overarching idea to the book, it is perhaps contained in Berg’s pronouncement to Gershwin: “Mr Gershwin, music is music”.”

The current music critic of The New Yorker Ross, 40, was born in Washington DC. He was an enthusiastic teenage musician but it wasn’t until studied English and history at Harvard when he became interested in journalism and became a student broadcaster. Ross began writing music criticism after university and was appointed to his current role at The New Yorker in 1996. He also has a blog which he uses to great effect in transmitting his work around the globe.

The media reception of for The Rest is Noise has been phenomenal. The New York Review of Books said: “by far the liveliest and smartest popular introduction yet written to a century of diverse music”. The Economist noted: “No other critic writing in English can so effectively explain why you like a piece, or beguile you to reconsider it, or prompt you to hurry online and buy a recording.”

Former Observer music writer Nicholas Kenyon said: “At a time when people are still talking about 20th-century music as if it were a problem, here is a lucid and entertaining book about what I regard as some of the greatest music ever written. It’s a wonderful way to advance the cause of 20th-century music to an ordinary, intelligent general reader. It’s the ideal mix of enthusiasm and information.”

The judging panel for this year’s Guardian first book award was made up of novelist Roddy Doyle; broadcaster and novelist Francine Stock; poet Daljit Nagra; the historian David Kynaston; novelist Kate Mosse and Guardian deputy editor, Katharine Viner. Stuart Broom of Waterstones‘ spoke as the representative of the retailer’s reading groups.

The other books shortlisted for the award were Mohammed Hanif‘s A Case of Exploding Mangoes; Ross Raisin‘s God’s Own Country; Steve Toltz‘s A Fraction of the Whole (also put forward for the Man Booker prize) and Owen Matthews’s Stalin’s Children.

Previous winners of the prize have most notably included Stuart: A Life Backwards by Alexander Masters (2005) and Zadie Smith‘s White Teeth (2000).

See Ales Ross talk about The Rest is Noise in an interview below:

Words: Dean Samways

Books of 2008 – The Scribbler Readers’ Poll

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Is Snuff by Chuck Palahniuk your book of the year?

Is Snuff by Chuck Palahniuk your book of the year?

As the 2008 slowly eases through its final chilly days and colder nights we wanted to ask you the question that has been on our lips since starting this humble blog.

What have been your books of 2008? As you hopefully saw earlier today, The Guardian has asked public figures but now we are asking you, the Great British fiction fan.

This year has been a healthy one for releases of great fiction but which have particularly enchanted you? Have there been any that have prompted moments of deep thought, a revelation, a tear, a smile, a giggle, a spell of nausea or, more interestingly, a great deal of self-reflection?

We’ve listed 2008’s most notable new novels (disclaimer: it’s not necessarily what we’ve enjoyed) to provide you with some inspiration. It’s out hope that this feature will generate lots of debate and discussion not only about the books of the year but also what makes a good piece of fiction. Uses the comments box accordingly.

So, come on then, what will it be?

The year in literature:

Watch Chuck Palahniuk interview the protagonist of his book Snuff, porn priestess Cassie Wright below:

Discussion:
Come on then? What was your favourite book of 2008 and why? Why that book and not another? We want a full blown discussion going on.

Words: Dean Samways

Guardian and Observer clean up at music journalism awards

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Radioheads Thom Yorke on the cover of OMM which won best editor last night

Radiohead's Thom Yorke on the cover of OMM which won best editor last night

Newspapers The Guardian and The Observer stole the show at last night’s 2008 Record Of The Day Awards for Music Journalism and PR (phew) when they walked away with five gongs. The Word was named magazine of the year.

Caspar Llewellyn-Smith, editor of Observer Music Monthly bagged the editor of the year award for the second consecutive year. The Guardian was celebrated for it’s music content winning best music coverage in a national newspaper and best podcast. The Guardian’s Alexis Petridis was named record reviews writer of the year and The Observer’s Kitty Empire won the 2008 live reviews writer award.

Other winners included Dog Day Press (best independent PR company) and Polydor (best in-house PR department).

The highlight of the eveing came when legendary British music journalism Jon Savage was honoured when he received the outstanding contribution to music journalism award.

Representing the artdesks up and down the country was Pennie Smith who picked up the outstanding contribution to music photography award.

MBC PR co-founder Barbara Charone won the outstanding contribution to music PR awards and

The awards took place at Conway Hall, London.

The full list of the 2008 Record of the Day Award winners is as follows:

  • Live Reviews Writer of the Year: Kitty Empire – The Observer
  • Best PR campaign for a breakthrough UK Act: Tony Linkin at Coalition PR for Glasvegas
  • Best PR campaign for an established UK Act: Lewis Jamieson at Hall Or Nothing PR for Elbow
  • Record Reviews Writer of the Year: Alexis Petridis – The Guardian
  • Best Music Coverage in a Newspaper: The Guardian
  • Business and Technology Writer of the Year: Ben Cardew – Music Week
  • Best PR campaign for an established non-UK Act: James Hopkins at Columbia Records for Kings of Leon
  • Best PR Campaign for a Breakthrough Non-UK Act: Ash Collins at Toast PR for MGMT
  • Best Podcast: Guardian Music Weekly
  • Best Editor: Caspar Llewellyn Smith – Observer Music Monthly
  • Best Independent PR Company: Dog Day Press
  • Best Independent PR individual: Nathan Beazer at Dog Day Press
  • Best Digital Publication: NME.COM
  • Best in-house PR person: Andy Prevezer at Warner Bros Records
  • Best In-House PR department: Polydor Records
  • Artist and Music Features – Writer of The Year: Simon Cosyns and Jacqui Swift – The Sun, Something for the Weekend
  • Breaking Music Writer: Paul Lester
  • Magazine of the Year: The Word
  • Best Blog: 20 Jazz Funk Greats
  • Best Online PR: Scruffy Bird
  • Outstanding contribution to music journalism: Jon Savage
  • Outstanding contribution to PR: Barbara Charone – MBC PR
  • Outstanding contribution to music photography: Pennie Smith

That classic image of The Clash's Paul Simonon captured by Pennie Smith

If you’re into your music journalism you’ll know who this guy is below (he’s the legendary Beatnik muso Lester Bangs for any of you who don’t):

Discussion:
Are you thinking of a career in music journalism? Are you already writing music pieces? Want you share them? Leave a comment with your experience in the music journalism world here (the editor is a freelancer for Drowned in Sound when it suits him so he’ll be keen to chat on the subject)

Words: Dean Samways

‘Disappear Here’ please, for all our sakes Peaches

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Peaches Geldof - Disappear Here Editor

Peaches Geldof - Disappear Here Editor

It’s no surprise that this particular story has got our goat at The Scribbler.

But most in the print media should be annoyed by the news famous for being nothing ‘indie it girl’ Peaches Geldof has been set the challenge of launching a magazine, whilst the MTV cameras follow the sordid charade (watch at your peril).

Peaches has described the magazine, Disappear Here, as “underground and anti-mainstream”, Sugar Ape anyone?

The program has been met with a lot of negative criticism, largely due to a daddy’s girl waltzing into an industry that many will spend years toiling in just to get a byline.

Another major criticism of the show has been Peaches highly unprofessional approach to others. Editor’s naturally have a degree of authority on a publication but let us not forget that Peaches’ only experience of writing was a poorly written column in The Daily Telegraph (How did she get that job? – Ed).

Put simply Peaches looks set to offend a lot more people with her new program (for as long as it runs). But at least we can take heart in all the little attacks on the show and its trumped up offensive protagonist.

One blogger put it best with this simple equation: Geldof + no clue + posse of idiots = turd sandwich.

Of course what’s even more disturbing is that Bloc Party‘s name has been tarnished by the show. Disappear Here is lifted from one of the Brighton band’s tracks.

To see the band talk about the track Song for Clay (Disappear Here), which is also named after the character in Bret Easton-Ellis’ Less Than Zero, glance below:

Yes the show aired on MTV One back in October but as it’s just been aired on Freeview friendly TMF we thought we’d run this little number.

Expect a full scale rant in the next few weeks as the fate of Disappear Here is revealed for our viewing pleasure.

Discussion:
Has anyone seen this hideous brand of broadcasting? Is anyone surprised Disappear Here is an MTV One production? What did you think of the show?

Words: Seamus Swords